Birgit Jürgenssen,
Hausfrauen-Küchenschürze
, 1975
Birgit Jürgenssen
Hausfrauen-Küchenschürze
Birgit Jürgenssen (*1949 †2003, Austria) was one of the most prominent Austrian artists of the feminist avant-garde. She studied at the Academy of Applied Arts in Vienna in the 1960s and joined the teaching staff at the Academy of Fine Arts Vienna in 1982 together with Maria Lassnig, Arnulf Rainer and Peter Kogler. In the 1980s, she began the long-term collaboration DIE DAMEN with the artists Ona B., Evelyne Egerer and Ingeborg Strobl. She worked with analogue photography for over three decades in her own darkroom. For her staged photographs of herself, she worked exclusively in her own studio using a self-timer. Her artworks were shown in the first feminist exhibitions in the 1970s, including MAGNA – Feminismus in Vienna and Copenhagen in 1975 and Künstlerinnen – international 1877–1977 in Berlin and Frankfurt in 1977, as well as Kunst mit Eigen-Sinn in Vienna in 1985.
artist's estate website:
birgitjuergenssen.com
Birgit Jürgenssen’s multifaceted artistic practice spans painting, drawing, photography, Polaroids, rayographs, printed graphics, collages of different materials, body projections and installations. Her work is characterised by visual wit and a great deal of self-deprecation, which the artist referred to as a kind
of “autobiographical strategy”. Like many female artists of her generation, she rejected painting at an easel in favour of a practice that relied on body discourse, image symbolism and language in different combinations in order to regain and deconstruct the (colonised) body and its cultural role assignments. A phase of artistic rebellion (
Hausfrauen-Küchenschürze - Housewives’ Kitchen Apron
) was followed by explorations of the borders of identity through the disappearance
of the self (Ohne Titel (Selbst mit Schädel), 1979), Ohne Titel (Selbst mit Fellchen), 1974/77), in which her playful language of expression remains ambivalent and poetically subversive, while also unsettling and disturbing.
Courtesy Estate Birgit Jürgenssen / VBK, Vienna
Format
photographs
Issue date
1975
Tags
housework/carework
,
laughter/humorous
,
stereotypes
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability