Nieves Correa,
El abrazo 1
, Madrid 2006
Nieves Correa
El abrazo 2
Since the 1980s, Nieves Correa (*1960, Spain) has been carrying out intense work in the field of artistic performance as well as organizing festivals and meetings and editing publications on performance art. Her influences can be found in the conceptual art of Fluxus and in the ZAJ group, which includes such figures of Spanish avant-garde art as Esther Ferrer. Music occupies a pre-eminent place in how she structures and enacts her performances, in which the artist’s body, its forms, its dimensions and its morphology are instruments for the occupation of and intervention in public and private spaces.
artist's website:
www.nievescorrea.org
“Embrace a building entirely, feeling its warmth and its coldness, its inlets and outlets, its roughness and its unevenness. It has to be a public and free-standing building: a church, a museum, a castle ... and depending on its use, the meaning of the performance changes. As I embrace, I mentally count the number of hugs and at the end, from a high point or from a window of the building, I shout the number of hugs that I have needed to complete its perimeter: ONE, TWO, THREE, FOUR ... doing it always in my own language.” (Nieves Correa)
Performance: August 2006, Centro Galego de Arte Contemporánea, Santiago de Compostela
Courtesy Nieves Correa
Document media
Video, colour, sound, 10:00 min
Issue date
2006
Relations
Esther Ferrer (FER 1)
Esther Ferrer (FER 2)
Tags
body object relation
,
fluxus
,
measuring
,
public space
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abstraction
activism
aggression
aging
appropriation
authorship
be-coming
beauty
body control
body object relation
cabaret
capitalism
childhood
collectivity
conflict
consumerism
craft
dance/choreography
de/construct identities
death
desire
destruction
dis/ability
dis/appearance
dreamscapes
durational performance
exhaustion
extended body
failure
fashion/glamour
femininity
flesh
fluxus
fragmentation
gaze
happening
health/illness
his/herstory
housework/carework
human/non-human animals
in/visibility
inscription
institutional critique
intimacy
labour
language
laughter/humorous
lecture performance
manifesto
masculinity
masquerade
mass media
maternity
measuring
metamorphosis
migration
military
music
mythology
nationalism
nature
networks/affiliations
normativity
pain
painting/drawing
participation
patriarchy
pleasure
pop
post-communism
precarity
private/public
public space
queer
queer/drag
racism
re-enactment
repetition/seriality
resistance
ritual
roleplay
score
sexual violence
sexualities
skin
sound
state oppression
stereotypes
the common
therapy
torture
touch
trash
violence
voice
voyeurism
vulnerability